Agon, named after the ancient Greek word for contest and struggle, is one of Balanchine’s most famed plotless neoclassical ballets. First staged in 1957, the ballet features a score by Igor Stravinsky and movements based on French court dances. Agon joins Apollo and Orpheus in the winter season’s Stravinsky & Balanchine Greek Trilogy program. For tickets and more information about our Winter performances, JAN 22 - MAR 3, visit nycballet.com/winter | New York City Ballet
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Agon, named after the ancient Greek word for contest and struggle, is o…
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Horns blare on a twelve-tone scale during Agon's opening Pas de Quatre, signaling a new era in the histories of ballet and music alike. Experience this high point in Balanchine and Stravinsky's collaborative innovation on the Stravinsky Festival III program this spring: nycballet.com/stravinskyfestival3 | New York City Ballet
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Horns blare on a twelve-tone scale during Agon's opening Pas de Qu…
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Agon isn’t just a favorite for audience members and dancers, but a highlight for those who play the Stravinsky score. Ethan Silverman, New York City Ballet Orchestra’s Associate Bassoon, explains why Agon is the ballet he loves to perform the most in our winter repertory. “It is scored for a large orchestra, but mostly, at any given moment, there are only a few instruments playing, never everyone together. There are such strange and wonderful combinations of instruments. For example, a xylophone
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Agon isn’t just a favorite for audience members and dancers, b…
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Dive into the world of brilliance with AGON Pro! 🖥️ ✨ Our OLED monit…
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